JE Labs

Don Garber's Fi 2A3 amp Ad from Sound Practices My first exposure to Don Garber 's Fi 2A3 amp was at a gathering of burgeoning SE-DH...

GOLDEN VOICE 2A3C Given the unusual times we now live in and the Chinese New Year celebrated just a couple of days ago, I think this is a fi...

Over two decades ago, I ventured into single channel music reproduction to trace the roots of high fidelity. From that whole experience, I ...

  During a recent visit to  Steve and Ray at VAS Audio , my attention was caught by an amplifier I built in the early 2000s. This is one of ...

My dad would've turned 97 today. To celebrate his birthday, the video clip above features a recording of his favorite violinist, Nathan...

Canon P + Canon 50mm f1.8 LTM  Foma 100 in Rodinal Inspired by my  plate choke-loaded 76 line stage preamp  adventures, I was curious how a ...

Looking back to 2022 January: Begin the Beguine  + A Cousin's Listening Room: Garrard 301, Ortofon RMG309i/SPU Synergy/AB309/SPUmono, JE...

Back in the late 90s, I dismissed the hi-mu/low-gm SRPP input/driver  because I found that the circuit had a tendency to sound tiring over e...

Joe Roberts' piece,  "I Never Met a 2A3 Amp That I Didn't Like,"  from Sound Practices Issue 15, is very persuasive. I bui...

Spring and Fall are the best seasons to enjoy food and drinks on our deck. To complement the beautiful atmosphere, I assembled an e-z to set...

Ever since I grafted a 6SN7 on the line stage section of my hacked  Dyna PAS preamp , I've been hooked on the "octal sound." ...

I'll start the new decade with scanned negatives of my DIY Audio projects from the mid to late 90s. Most of these pictures were ...

Radiotron SE2A3 with Noguchi PMF-15WS Shot with an  Ansco Super Speedex  loaded with Foma 100 and developed in Kodak HC110 dilution B...