Wednesday, October 4, 2017

Cinestill Cs-41 Color Film Developing Kit


Intrigued by an e-newsletter from Freestyle Photographic Supplies, I ordered this color film processing kit, which promised to be just as straightforward as developing B&W film.

Mixing the Chemicals


Developer = 20 oz of distilled water heated to 120° F + Parts A, B & C to make 1 quart

Blix (Bleach/Fixer) = 18 oz of distilled water heated to 125° F + Parts A, B & C to make 1 quart

Preparation


As suggested by the Cs41 website, I got a $25 foot spa from Walmart as a tempering bath for the chemicals and the developing tank.


Temperature is most critical with the developer. Since the foot spa is just a tempering bath and does not heat up water, I filled it up with hot water from the tap, which was between 105-110°F.


Meanwhile, I filled up a pot with hot water from the tap and heated up the developer in this water bath on the stove to my chosen 102° F developing temperature.

Pre-wash


 I did a pre-wash to stabilize developing tank temperature at 102°F.

Developing



The developer is ready.

I dumped the pre-wash and poured the developer into the tank. I developed for 3.5 minutes doing 4 inversions every 30 seconds. Tank is submerged in the bath in between inversions.


Developer is poured back into the container. I turned off the foot spa since the Blix stage is not as temperature sensitive.

Blixing


Blix can be used anywhere between 75°F-102°F,  so 90.9°F is perfect.

I filled up the developing tank with Blix and did 4 inversions every 30 seconds for the next 8 minutes. After 8 minutes, the temperature inside the developing tank would be just about equivalent to room temperature tap water, which will be used for the wash/rinse cycle.


Blix is poured back into the container.

Wash and Rinse 



I filled up the tank with room temperature tap water, did 5-10 inversions and then dumped the water. Repeated this at least 7 times.

Photo-flo



Filled up the tank with fresh tap water (or distilled) and added two drops of photo-flo or the stabilizer from the kit. Left it standing for at least a minute.

Hang to dry


I let the film dry for at least an hour.

Developing at other temperatures


As shown in the above chart, processing can also be done anywhere from 72°-102° F, but developing time can take as long as 50 minutes at colder temperatures.

The Cinestill Cs41 color film developing kit is just as fool-proof as B&W film processing. The only difference is that they are at both ends of the temperature spectrum. Since I've relegated taking color pictures to my trusty Fuji X-E1, I've seriously been considering an upgrade to a full frame digital body. However, this recent experience processing color film has taken the upgrade itch away...😊

Sample pics


Rollei 35 + Kodak Gold 200

Rollei 35 + Kodak Gold 200 

Rollei 35 + Kodak Gold 200

Rollei 35 + Kodak Gold 200

Rollei 35 + Kodak Gold 200

Nikon FG20 + Nikkor E series 50mm f1.8
Expired Fuji Color 100 

Leica M6 + Summicron 35mm f2
Kodak Portra 160

Darwin D. Martin House
by Frank Lloyd Wright
Buffalo, NY


more pics

Tuesday, September 26, 2017

Shure Mic Transformers

Ben C was hunting for Altec 32s, Emilar EH800s 
and EH500s at Jammin' Jersey

Tipped off by my buddy, Ben C (dude in the middle), I scoured eBay for Shure Mic transformers that can be repurposed for MC step-up duty. These transformers typically sell for under $50/pair shipped within the USA.

They don't have model numbers so I'll identify them based on their step-up ratio.


Primary DCR = 35 ohms and 3500 ohms in the secondary. 
I measured a step up ratio of about 1:17, which suits the Denon DL103 and DL103R well. It can be a pinch hitter for the Ortofon SPU in my system, but ideally more gain is needed.


This unit has slightly less gain at about 1:12, primary DCR = 20 ohms and secondary = 2000 ohms. What it gives up in gain is made up for by slightly wider bandwidth. If I were to split hairs, I'd pick this over the 1:17 model above if I were using a DL103 exclusively.


The tonal balance of both Shure transformers is actually quite similar to the Altec 4722 with just a touch less transparency and authority throughout the audio band. At their present asking price, I can highly recommend these transformers to those who want to sample the delights of listening through a classic Denon DL103 low output moving coil cartridge.

Happy listening!



Thursday, August 10, 2017

Lens Filter Ring Vise


I recently fixed two lenses from my collection which had dented filter rings using this $36 tool from Micro-Tools.


The tool didn't come with instructions but using it is pretty straightforward. As a precaution, I covered the front element with cardboard. First, I positioned the moving jaw of the tool on the dent and aligned the threads from the jaws of the tool to mate with the threads of the filter ring. Then I gently spread out the jaws of the tool to press out the dent. I cannot over emphasize going slowly but surely!

Dent was between 10 and 11 o'clock
impossible to fit a hood or filter

After the procedure, a 46mm
screw-in lens hood fits with
minimal fuss

Dent was between 3 and 4 o'clock

Not perfect but better than it was

The tool has paid for itself ;)