Wednesday, February 6, 2019

Topping D30 vs. Xiang Sheng DAC 01a


This installment is long overdue since I got distracted by a flea market find, a Yamaha T-2 FM tuner, which was aligned to factory specs by Punker X, highly recommended tuner tech! Yes, I am eating my words from this past post since I've been enjoying WRTI, WPRBWXPN, amongst others. FM broadcasts just sounds more analog with a human DJ than streaming from the internet.

But I haven't ditched my Raspberry Pi 3B+ set up since it has its purpose.


If you are looking for a DAC to hook up to a CD transport to playback Redbook CDs STOP and GO there! However, if you need an affordable DAC for your Raspberry Pi, laptop or server, you may proceed.



Cirrus Logic CS4398




Both these units use the Cirrus Logic CS4398 chip, a well-respected Delta-Sigma type DAC that was introduced in 2003. But it is the implementation of the DAC chip which sets these two units apart.


Listening tests were done using music files mastered to CD Redbook standards. These include live concerts, CD projects and music from favorite CDs I transferred to a USB thumb drive. Streaming sources were internet radio stations via the latest version of moOde audio or Volumio loaded to a Raspberry Pi 3B+ with an Allo DigiOne HAT. I also listened using USB connections and arrived at the same conclusion.



The Topping D30 is a highly acclaimed DAC and measures great according to meter readers. It sounds pleasant, I didn't hear anything objectionable. But compared to the Xiang Sheng DAC-01A, the D30 sounds dry and lifeless. Maybe that's what others will deem as accurate? 


A hundred and twenty something dollars buys a neatly stuffed PCB with Wima capacitors in the audio stage. The PCB card slides into a nice anodized aluminum case. But Topping only provided an SMPS wall wart. Hmmm...


For about the same amount of money the Xiang Sheng DAC-01A is built on a solid metal chassis. It sports a real power supply based on an R-Core power transformer that provides an 80VDC rail for the 6N3/5670/WE396A tube buffer/cathode follower blocked by Wima coupling caps.

In spite of the decent quality workmanship, the blue LED pilot light on my unit was flickering since I got it and died a couple days later. But it was an easy fix.


Since I was planning to use it mainly as a DAC, I bypassed the volume control by setting the two jumpers to connect 2+3 and b+c. To enable the volume control, connect 1+2 and a+b. With this set up, it can also function as a stand alone line stage preamp.


The only upgrade I did to the DAC-01A was replace the stock 6N3 tube with a US made NOS 5670 (about $7 a pop), which gave a more refined sound. I regret unloading my 70s date code stash of WE396A/2C51s years ago...I can't afford to buy those back.😞 Anyway, I don't think it would have made the sound 10 times better.😉


Sonically, the DAC-01A trounces the D30. This unit sounds enticing. Maybe others will consider this colored because of the tube buffer. But to my ears it is A LOT more musical! Music IS THE BIG picture folks, leave the details for laboratory analysis.😄 



The unit has two sets of outputs; the normal out, which bypasses the tube buffer, gives up a bit of the dignified poise but still sounds more authoritative than the D30. Although I'm pretty sure the tube output stage will be a delight to pick on by scope jockeys. 😄

BTW, did I mention it also has a headphone output?

Coda


Inasmuch as I laud the Xiang Sheng DAC-01A as great value for the money, if you're in the market for a DAC to playback Redbook CDs, I'd persuade you to hit the flea markets and thrift stores to hunt for an ancient TDA1541-equipped CD player. Even an early 90s CD player with the cheaper TDA1543 chip will give more musical satisfaction than the DAC-01A. However, if you need a Hi-Res capable DAC for the Raspberry Pi music player, computer or server, this is hard to beat at this price point.









Sunday, January 20, 2019

Listening Room - Minimalist no more?



Among the audio systems of my friends, this is the only set up that has no LP playback ability. Neither does the owner have interest in DVD-A, SACD or a music server/streaming device - only16 bit linear PCM sampled at 44kHz red book mastered CDs, period!

Since our last visit, a Northstar CD transport replaced a CEC TL51X, while another belt-driven CEC TL5 CD transport is being contemplated. The NOS (Non-Over-Sampling) Zanden Signature DAC equipped with a double crown Philips TDA1541A-S2 chip remains. Now you know why I hunt for unloved TDA1541 CD players from the 80s.😎


The most significant change in this system, however, is that
the Phy-HP Co-Ax speakers have been replaced by a pair of field coil powered Western Electric descendants - G.I.P. Monitor 1s.

According to the owner, the JE Labs line level preamp +
SE10 mono-blocks give life to GIP Labs! He is such a good friend. 😉











Friday, January 4, 2019

dynakit stereo 35


Before 2018 drew to a close there was a buzz on various audio forums about the auction of a vast collection of audio gear in the northeast. My attention was caught by lot number 4, a seemingly unmolested Dynakit Stereo 35. I bookmarked the site and registered for bidding.


Fast forward to mid December, my wife and I drove through the new Tappan Zee Bridge aka Gov. Mario M. Cuomo Bridge


and scenic Merritt Parkway (Route 15) to collect my loot, which included the stereo 35.

Feuillantine  - layers of dark chocolate mousse,
hazelnut buttercream, chocolate cake with
hazelnut wafer crunch

On our way home, we let the rush hour traffic subside by exiting in Pleasantville, NY. As a reward for my wife's enduring patience, we had dinner at Jean-Jacques and took home this decadent Feuillantine.


As mentioned in this JEL Arkiv entry, my passion for vacuum tube amplification was sparked by a Dynakit Stereo 35 I found in what was left of Radio Row in downtown NYC in the early 80s. Unfortunately, I had to unload it in the 90s to finance Tango and Tamura SE output transformers for my SE-DHT amp projects. It was a sentimental journey to reacquire this amp.


Removing the cage reminded me of the days when I serviced classic tube gear at Angela Instruments in the 90s. I quickly recalled the routine of checking for shorts in the multi-section capacitor and identifying continuity in the transformer windings. After those static tests were established, the amp was plugged into my trusty GenRad Variac and I slowly applied AC voltage while carefully monitoring the current draw. My hunch was right, this was a healthy amp that just needed a lot of cleaning and a little updating.

!!!WARNING!!! 
The voltages in this circuit are potentially lethal! Proceed at your own risk!


Dyna Stereo 35 Schematic

The secret to the ST35's success was its elegantly simple circuit design. It uses a 7247 twin triode which is essentially half of a hi-mu 12AX7 + half of a med-mu 12AU7. The hi-mu section functions as the input voltage amplifier, while the med-mu is configured as a cathodyne-phase inverter driving a push-pull pair of cathode biased 6BQ5/EL84 pentodes connected to wide bandwidth Dynaco Z565 ultra-linear output transformers. The judicious use of both positive and negative feedback made this a very stable amplifier.


Aside from replacing the original mylar coupling caps with polypropylene Wonder Caps in typical 80s fashion, the only mod I ever did to this amp was bypass the "green ceramic disc cap" (C1) and filter network (R1 & C2) in the input. This idea came from page 67 of Bascom H. King's review of the Mark Levinson ML10A preamp + ML9 amp in the August 1985 issue of Audio.

 Since I wanted to keep this amp as original as possible, I avoided removing parts and cutting traces like I did as a Dynaco hacker in the 80s.


This is the stock wiring of the RCA input jack. Audio signal + is connected to solder tag No. 1.


I unsoldered the wire from solder tag No. 1 and soldered it directly to the input grid, pin 7 of the 7247 input/driver tube. From above it looks stock but now the audio signal goes directly into the input grid (shunted to ground by R2) of the hi-mu voltage amp section. This mod effectively bypasses the filter network (C1, R1 & C2) which protects the amplifier from a preamp that produces DC offset at the output. If your preamp passes DC (or you aren't sure) DON'T DO this modification.


Since the 90s I've been convinced that paper in oil (PIO) caps sound more like live music. Although I'm not 100% sure whether the surplus mil-spec West-Cap/Astron cap combo I installed are PIO, the amp doesn't sizzle like it did with the original mylars.


Dynaco skimped on the power supply of the ST35 by using solid state rectifiers and a wire wound resistor in the 𝜫-filter. The least I could do was replace the original 60Ω, 5W resistor with a proper C-354 choke from Dynakit.


Minimal phase shift @ 100Hz = excellent low frequency response


Fast rise time @ 1kHz with just a hint of overshoot


Again a tiny overshoot @ 10kHz with minimal and well damped ringing


9.89 Vrms squared = 97.8121/8Ω load = 12.23 watts per channel
before clipping, both channels driven


stereo 35 sans cage

Speakers I've used in the past with the Dyna Stereo 35 include DIY mini-monitors using Radio Shack components, BBC LS3/5As and original Quad ESLs. It had a hard time driving a pair of Magnepan SMGas I briefly owned in the mid-80s, so I unloaded them. 😉


I'm listening to jazz tunes with the stereo 35 driving Altec 755Cs in 618 cabs as I type. It doesn't have the mid-range magic nor does it present micro-dynamics like my Simple 46, but this fine PP EL84 comes pretty close.

Just like Feuillantine, the dynakit stereo 35 is yummy!