Sunday, May 1, 2011

International Commie Camera Day 2011!

The first mass produced 35mm camera from the Former Soviet Union (FSU) was the FED from 1934, a Leica II clone.

Zorki 1d + Industar 22 + FED 3a + Jupiter  8

 FED article by Oscar Fricke

JEL Special Edition
Zorki 6 + Jupiter 8 and FED 2 + Industar 61LD

As part of WWII reparations, the Soviets gained access to blueprints, tools and other materials to manufacture Zeiss designed optics well into the the 90s with minor updates.

Zorki 1d + Jupiter 8
TX400/Diafine

When properly adjusted and serviced, FED and Zorki cameras + Industar and Jupiter lenses are capable of producing high quality images. 

Zorki 1d + Industar 22
APX100/Diafine
Millions were manufactured but the main issue was lack of quality control. 

FED 3a + Jupiter 8
Foma 100/Rodinal
 Being a tinkerer at heart cheap FEDs and Zorkis became my guinea pigs from which I gained enough confidence to buy unloved Leica IIs in need of TLC

Zorki 1d + Industar 22
APX100/Diafine
It is interesting to note that just about every industrialized nation in the 20th century attempted to manufacture a Leica clone.

FED 2 + Industar 61LD
Fuji 200
Notable copies include Kardon, USA and Reid, UK which are now highly collectible and command prices greater than a genuine Leica.

FED 2 + Industar 61LD
Fuji 200
The post WWII camera and optical industry of Japan was also founded on Leica copies from Canon, Nicca/Tower (later Yashica), Leotax, Minolta (Chiyoko) and etc. 

Fed 3a + Jupiter 8
Foma 100/Rodinal
 Eventually the Japanese beat the Germans in their own game and ultimately became the largest manufacturer of cameras and lenses in the world.

Zorki 6 + Jupiter 8
HP5+/DDX
A testament to Japanese tradition of discipline, industry and ability to innovate!

Zorki 1d + Jupiter 8
TX400/Diafine

China also made Leica copies - a souvenir from my visit to Shanghai last year. 

Shanghai 58-II + 50/3.5 lens
My original plan for today was to take pictures with this camera, unfortunately it became too hot and muggy ;o(





Friday, April 29, 2011

Canon Serenar f1.8, 50mm LTM lens


This Serenar 50/1.8 came as a body cap on a Canon IVSB2 acquired at a camera show in late '97. It had dust specs, haze, front element cleaning marks and fine scratches. The result from a trial roll was discouraging. I could not find the proper 50mm lens in the ensuing camera shows, instead  I ended up with a minty  Serenar 35/2.8 with matching view finder in its original leather case.


 After shooting a few more rolls, a cousin became really interested in this Canon RF system. Since I was contemplating the purchase of a used Leica M6, I sold the lot with a right of first refusal clause if he decides to unload at a later date. He enjoyed it for several years using an Elmar E39 50/2.8 LTM and the Serenar 35/2.8.

Fast forward to last December, he was trimming down his RF collection and I got the outfit back. Meanwhile  I've read many good things about this Planar design at Rangefinder forum and Dante Stella considers it at par with the original Leitz rigid Summicron.


My curiosity was piqued and searched for information on how I can get rid of the dust specks and haze. I found a post at Rangefinder forum  (can't find the exact link) describing disassembly which starts at the rear retaining ring...



The whole optical module comes off the focusing helical


Be careful not to scratch the glass...


Fortunately the middle lens element was within the torque ability of my heavy duty tweezers ;)


The aperture blades were dry and the click stops turning smoothly, just cleaned out dirt and sparingly relubed with lithium grease.


I discovered edge separation in the cemented pair middle lens element, not very encouraging...


Everything cleaned and lubed. 


Ready for a test drive...

Bessa R
Acros 100/Diafine
Bessa R
Acros 100/Diafine
Leica M3 + M adapter
PX125/Diafine
Shot @ f1.8...not too worried about the balsam separation ;)

More Serenar 50/1.8 pics



Wednesday, April 27, 2011

Intermission...

Overture to Fingal's Cave, Op. 26, Felix B. Mendelssohm


Manila Symphony Orchestra
Joseph Esmilla, guest conductor
July 10, 2010

On a one week notice, I filled in for a guest conductor who fell ill 

Monday, April 25, 2011

Leitz Summar 50mm, f2

My Summars came as body caps on a '30 I > II conversion, brassy '32 and the '36 chrome below.

Notable flaws:
uncoated = veiling flare and low contrast
front element cleaning marks and scratches = soft focus

Leica II + Summar
Pentax ME super + Vivitar Series 1, 70-210mm zoom/macro
TX400/Diafine

After cleaning out the internal haze...

Bridge at C&O Canal
Fed 3a + Summar 50/2
APX100/Diafine
Black Ice
Zorki 5a + Summar 50/2
TX400/D76
Austin Healey Sprite MK1
Leica II + Summar 50/2
APX00/Diafine
Arts in the City
Canon IVSB2 + Summar 50/2
Acros 100/Diafine

More Summar pics

I also have a Stalin Summar - Fed 50/2
Fed S + Fed 50/2
Foma100/Diafine
Married to a genuine Fed S ca. '38 with fake Leica engraving

Monday, April 18, 2011

Four Seasons

I performed the Vivaldi Four Seasons on April 9 with the Manila Symphony Orchestra and was inspired to sift through my file of wasted film while testing lenses ;0)
Leica M6 + Summicron 35/2-I
Fuji 200

Fed 2 + Industar 26M
PX125/D-76
Leica M3 + Summicron 35/2-1
Agfa Vista 100
Zorki 5a + Summar 50/2
TX400/D-76

Friday, April 15, 2011

For Brian


Time travel to the Mono era

...excerpt from Korngold Violin Concerto performed by Jascha Heifetz RCA LM1782

Video taken during the time I was exchanging mono shop talk emails with Brian...

Monday, April 11, 2011

Brian Clark 1944-2011

Brian's monofantastico!




In this day and age we are fortunate to form a kinship with people we never get to meet in person...Brian was a major inspiration when I built my mono Hi-Fi system.

Bon Voyage my dear friend!

Monday, April 4, 2011

Half-frame...

...cameras...
Chaika 2M + Olympus Pen D

...and OLD cars

Early 70s Toyota Celica
Chaika 2M
Delta 100/Diafine
'60 Austin Cambridge A55, MKII 
BMC 1489cc "B series" engine and transmission missing, donated to an older A55 MK1, pre-Farina project
Chaika 2M
Delta 100/Diafine
BMC cars were popular in the streets of 50s - 60s Manila. Aside from being middle class family transport, petrol or diesel A55s and A60s were operated as taxicabs. I was surprised to find this A55 Farina since many have been scrapped years ago. We had one and I learned to drive in it.

Austin Healey Sprite MK1 looks like an aborted restoration ...
Chaika 2M
Delta 100/Diafine
I am glad to have taken these pictures...passed by recently and a house is being constructed on this once empty lot...all the cars are gone.

More cine frame pics

Testing the Olympus Pen D
Olympus Pen D
TX400/Diafine
Happy motoring!

Wednesday, March 30, 2011

Fuga y Misterio by Astor Piazzolla

Transcribed for piano trio by Albert Tiu

Albert Tiu, pianist
Joseph Esmilla, violinist
Sean Katsuyama, cellist

Thursday, March 24, 2011

November 2010 Hi-Fi Show

Harana/Tono/SETUP collaboration


Passive tri-amplified mono system

Harana SOLENN mono-speaker:
4.5-way w/ ambiance tweeters in tri-amp configuration
Altec 1803 multi-cell midrange horn 
Dual midrange drivers: Altec 291 (phenolic diaphragm/alnico magnet) +JBL-LE85
ALTEC LANSING COAX T3000 tweeter w/ 416A 15” woofer

WESTERN ELECTRIC D150 15” woofer
 Passive tri-amplified mono speaker engineered by Joey of Harana Audio

Garrard 401 in Harana Audio plinth
Right: FR25 tonearm/Ortofon SPU mono
Center/back: 12" Gray viscous damped tonearm + Tannoy variable reluctance cartridge (LP + 78) courtesy of Rofiel



JEL mono  preamp + SE10 amp = JEL mono integrated SE210 amp
The JEL mono integrated has a buffered preamp output simultaneously connected to the integrated
SE210 amp driving the Altec 1803 multi-cell horn midrange drivers and ambient super tweeters
+
Harana JIO dual mono SE300B amp: 
each channel driving the Altec 416 woofer + Westrex/JBL D150 woofer respectively
6SN7 input > 6SN7 driver > 300B >Tango XE60-3.5S OPTs = 8 watt
Dual mono volume control/ DRD (Direct Reactance Drive Output)
Edrel Sison power xformer, 6 chokes on a Kamagong (Philippine Ebony) base

Stereo source: Tono Erotique
All tube phono stereo stage with built in MC step-up transformer
A pair of 417A/5842 tube first stage –passive RIAA-
Western 407a tube second stage
Edrel Sison power xformer with M6 lams

Garrard 301 grease bearing in Harana Audio crafted plinth with FR tonearm with either SPU or DL103
feeding the Erotique preamp connected to the line level section of the JEL mono integrated SE10 amp

The system - LIVE!

Icing the cake ;) 

After show dinner





Setup 2 with his darling Leic'a bids you.....'til the next show!

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