Wednesday, December 18, 2019

Preview for 2020


 I've become so busy the last few months and wasn't able to upload as much as I intended to. So here's what's in the pipeline for the coming year.

My one and only...

The JP757A - a John Piro (re)creation, amongst others...

Revisit MM/MI phono cartridges

American Classics 

'68 G401

DIY tube DAC

Tonearms are like violin bows

my camera adventures

2019 Index


Happy Holidays and a Great New Year to Everyone!












Saturday, November 16, 2019

JE Labs Audio Playground AKA System No. 2

 My main system has remained pretty constant for over 20 years, except for a couple of milestones. However, the same can't be said about my audio playground which sits beside my home office, in which the only thing constant is change. 😉


 Testing a few flea market/thrift store finds: a Kenwood KT880D tuner, a Sony DVP NS900V, a Magnavox CD2000, comparing a pair of Electro-Voice Sonocaster portable speakers vs. Lafayette SK98s, revisiting a Rek O Kut L34 + S160 tonearm + Shure M3D 
The power amp is my JEL Simple 45 with Tamura F475s driven by the JEL Loctal Preamp.


Trying a pair of Sansui T-104 horn tweeters on top of Altec 755Cs in Altec 618 cabinets, Denon DP1250 + Rega R200 tonearm + Audio-Technica AT3600L, comparing the Scott LT110B vs. the Kenwood KT880D vs. the Yamaha T-2


Since I blogged about the Altec 755A in Dr. Bae/Silbatone cabinets, this system has remained pretty consistent with a Gates CB77 + Fidelity Research FR54 + DL103 + Shure MC transformers or a moving permalloy Nagaoka MP10 serving LPs + the JEL Loctal Preamp  and JEL Simple 46 or Dyna ST35 doing preamp/amp duties.

This system also served as a cross reference for the  CD/DAC mods, Multi-bit DACs, Thrift Store CD players, Darling Amp, JEL StyleFM Tuner reviews, amongst others that I blogged about this past year.


At the end of summer, the boss decided that it was time to mitigate the flooding problem during heavy rain and snow in the lower level of our home. 


Since this entailed removing the drywall in the hifi man cave, everything had to be stored or relocated and dust-proofed. 


It's been over a month since the retaining wall was sealed with waterproof coating. We've had a couple of strong rains and it's been dry so far. But we're in no hurry to replace the drywall. We want to make sure that it'll stay dry through the worst precipitation Mother Nature sends our way.

Meanwhile, even if I have a nice mono hi-fi in the living room, I miss stereophonic sound.


The boss was kind enough to allow the re-commissioning of the near-field system. To make unpacking simpler, I minimized the use of tube electronics. 

I'm currently DJ'ing between a Denon DP1250 + DA50 and a Sony TTS2500 + Grace G565 with various MM and MC cartridges. Line level sources include a Raspberry Pi 3B+/Volumio > Musical Fidelity V-Link USB to S/PDIF* > NOS'd Arcam Delta Black Box DAC and an NAD 4300 AM/FM tuner.

*I acquired this for less than half the cost of an Allo DigiOne and it sounds just as good!


A Realistic 32-1100A Stereo Mixer I found at a flea market for 10 bucks is doing preamp duty. It has provisions for three line level inputs or 2 x magnetic phono + 1 line level. I thought the magnetic phono inputs were pretty decent on this discrete transistorized unit (no op-amps) until I got another discrete solid-state Radio Shack product, the 42-2109 phono preamp. This unit produced a warmer, more vivid midrange with even better extension in the frequency extremes. 


To warm things up further, I inserted a pair of UTC A20 line level transformers between the Rat Shack Stereo Mixer and the Nobsound NS-02g

Belden 9497

The Belden 9497 speaker cables softened the slight edginess betraying the solid-state DNA of the JLH 1969 Class A amp clone and made the Altec 755Cs in Altec 618 cabinets sound snappy!


Judicious mixing and matching of yesteryears' solid-state audio components employing discrete circuitry with the line transformers and a cable tweak inserted in between, mimicked the musical experience I typically enjoy only from an all vacuum tube set up. It's akin to the Fuji Acros film simulation setting in my Fuji X-E3 camera. But there's still no substitute for the real thing. 😉













Friday, October 25, 2019

November Hi-Fi Show 2019


It's that time of the year again! 

more info

If you're in Manila, please join my friends on November 23-24! 




Tuesday, September 24, 2019

Fuji X-E1 R.I.P. (Oct. 2013 - Aug. 2019)


After 6 years of great service, my beloved Fuji X-E1 died during our NYC trip. 😞


I miss its real camera ergonomics. Ideally, I'd like to have Fujifilm RF aesthetics, ergonomics + a full frame sensor. Perhaps a digital Leica M? 🤔

But my reality is a compromise. 😜


I'm just beginning to appreciate the benefits of a full frame sensor from this Sony device. 😊










Saturday, September 14, 2019

Thursday, August 15, 2019

JE Labs Flea Market

My boss told me we are running out of storage space and before I can acquire more audio toys, I have to free up some space.... 😜


Just like the olden days, I decided to revive the JE Labs Flea Market as an outlet for my surplus equipment and other goodies.








Tuesday, July 16, 2019

KS12027 Horn


The KS12027 horn perched on top of my repurposed Altec 861 cabinet loaded with an Altec 414A woofer should actually be residing inside a ~ 4 cubic foot slanted cabinet with a Western Electric WE713C compression driver  bolted to its throat + a WE728B 12" woofer = Western Electric WE757A monitor speaker system.

I was honored to host this KS12027 horn and provide more modest accommodations for a couple of weeks courtesy of my audio preservationist buddy John Piro.


He rescued this KS12027 horn with a damaged 0.7" aperture and repaired/modified it so that mere mortals like myself can sample its delights using a more pedestrian 1" exit Altec 802 compression driver. 

Mono Hi-Fi set up: Neat P58H + Calrad SV16 + GE RPX or DL102, JEL SE2A3 mono integrated amp with Hashimoto H-203S OPT.

All of my listening was done with the above set up.

Altec 414A + mod'ed KS12027 + 802 + GPA34852

From the moment I mounted the KS12027 + Altec 802 combo above the Altec 414A woofer, the first adjective that came to my mind and stuck for the rest of its stay was, natural! Just like its WE/Altec 32 and KS12024 relatives, this is also a horn that doesn't sound like a stereotypical horn. In fact, the articulation (attack and decay of notes) and overall presentation of harmonic overtones via the KS12027 is even more natural and realistic. It made the Altec 32A/32C and Azzolina KS12024 sound merely like very high quality Hi-Fi which mainstream audiophiles may find more appealing. These findings were echoed by my friend Ding during his recent visit to the man cave.

Altec 32C, KS12027, Azzolina KS12024

Even if I loved the KS12027 so much, I didn't want to get attached to something I may never be able to own. So this past weekend I met up with John at a ham fest and handed back this valuable piece of audio history. After giving him my rave report, which is hardly representative of what most audiophiles like nowadays, he was not dissuaded. He is still seriously considering reproducing them. 😎














Saturday, June 15, 2019

Thrift Store CD Players for Red Book Aficionados

Multi-bit CD players

When I started using and hacking Dynakit tube equipment, they were about 25 years old on average. During that same time frame, I bought my first CD player which was fitted with the Philips cutting-edge TDA1541 16-bit DAC chip. 

Saturday, June 1, 2019

My FM Tuners


Last February I mentioned being distracted by my favorite FM stations in metro Philly. Here are the tuners I've been tuning with. 😉

Vacuum Tube


Sherwood S-3000-II

This mono FM tuner courtesy of J-Rob got me started exploring the airwaves of the area. It blends perfectly with the mono hi-fi installation in our mid-century-modern themed living room. Aside from MCM aesthetics, it made me realize that there are a couple of noteworthy FM stations in our area, which inspired me to restore my out of commission FM MPX tuners and acquire a few more.😉

Scott LT110B

I acquired this tuner from Angela Instruments while working there as a tech in the early 90s. It was later aligned and tweaked in the workbench of the late Tom Cadawas. When it started having issues pulling stations a couple of years ago, I boxed it up. I recently unearthed it and traced the issue to a cracked solder joint in the antenna terminals. This tuner is the most modern sounding of the three tube tuners - tonally reminiscent of the Yamaha T-2, but with narrower stereo separation.

Dyna FM3

This Dyna FM3 factory-wired sample died during my sojourn in Manila. I discovered that each section of the quad filter capacitor all read "0" uf! After replacing the quad capacitor it performed back to factory specs - darker in timbre than the Scott, similar tonal balance to the Sherwood. A tube lover's delight!

Solid State


Yamaha T-2

Back in the early 80s, I bought my NAD 3020 from a fellow in the NYC metro area who was listening to WNCN on this tuner. It left an indelible mark in my memory since I never thought FM broadcasts could sound that good! Alas, I couldn't afford it then, so when I found this at a flea market, I grabbed it! Radio X Tuners (highly recommended) tweaked it to equal or exceed factory specs. It lacks the tube warmth in the midrange but goes deep in the low frequencies with extended and airy highs. Stereo separation is superior to any of the FM tuners in this survey.

Kenwood KT80

I remember seeing this KT80 tuner with its matching KA80 integrated amp at a closeout sale back in the early 80s at Harvey Electronics' West 45th store in NYC. Slim-line was the fashion statement of the era. It may be a notch below the Yamaha T-2 sonically, but still very listenable.

NAD 4300

I got this NAD 4300 tuner because of the AM section, which, unfortunately, is unlistenable! However, the FM section is pretty good. It sounds at par with the KT80, if not better, in the frequency extremes but not quite in the T-2 class. It offers 8 presets + a tuning knob, which almost feels like a true weighted knob/dial string assembly.

Kenwood KT880D

I almost didn't take the KT880D seriously due to its late 80s digital age/jet black/slim-line styling + modern comforts of preset buttons, auto tuning, etc. My ears can't get attuned to the dry and analytical sound. But I'm keeping this (or not?) because it pulls in the most stations and does the best job of squelching FM background noise/hiss.

Coda


Stellar Labs 30-2435 Omni

All the tests were done using either of these two antennas. The Stellar Labs Omni is mounted on a mic stand while the Winegard HD6010 is in the garage attic. I haven't tried them outdoors because I'm afraid of heights. 😆 

If we play the numbers game, the S-3000-II, LT-110B and FM-3 are no match in terms of sensitivity, selectivity and stereo separation (note: the Sherwood is mono) compared to any of the solid state designs above. Even when properly aligned, tube tuners are prone to drifting. However, tube tuners offer fatigue-free listening and FM background hiss and birdies are a lot easier to psycho-acoustically tune out.

All these tuners would have been obsolete if I didn't live in a metropolis that still offered quality FM broadcasts. Here's to my favorite local FM stations: WRTIWPRB and WXPN! 🍻🍻🍻