Showing posts with label Lens Adapters. Show all posts
Showing posts with label Lens Adapters. Show all posts

Thursday, September 9, 2021

DKL and Exakta mount lenses + Exa camera


Soulless creatures will assert that I love listening and looking at distortion when I say that triode amps make music sound more gratifying while classic lenses make pictures look more pleasant to the eyes.

They can carry on with their SINAD and MTF charts while I enjoy the 21st century with retro tech gadgets, which were designed by human ears and eyes aided only by primitive computers and instruments.

Leica M and LTM lenses have significantly appreciated in value, with M42 lenses following at their heels. However, the German lenses below can still be found at reasonable prices in DKL and Exakta mounts. These are just as easily adapted to current mirrorless interchangeable lens camera bodies.


DKL Mount Lenses


Zenit 11 + DKL>M42 lens adapter
Schneider Kreuznach 45mm f2.8
(click for sample pics)

I pulled this Schneider Kreuznach Xenar 45mm f2.8 out of a Kodak Instamatic Reflex camera. It doesn't have the sharpness nor resolution of its bigger brother below but it renders nice colors with low to medium contrast. The short throw focus and compact design makes it a nice street shooter.

Fujica ST801 + DKL>M42 lens adapter + Schneider Kreuznach Xenar 45mm f2.8
Ultrafine Extreme 100 in Rodinal 1+50

Sony A7IISchneider Kreuznach Retina-Xenon 50mm f1.9
(click for sample pics)

The Schneider Kreuznach Retina-Xenon 50mm f1.9 was the standard fast lens supplied with the Type 034 Kodak Retina Reflex S, III and IV + Retina IIIS rangefinder camera. It outperforms all the lenses discussed here in terms of speed, sharpness, resolution, color rendition and contrast. This lens is big and heavy.

Fujica ST801 + DKL>M42 lens adapter + Schneider Kreuznach Retina-Xenon 50mm f1.9
Ultrafine Extreme 100 in Rodinal 1+50

Zenit 11 + DKL>M42 lens adapter +
Voigtländer Color-Skopar 50mm f2.8
(click for sample pics)

This Voigtländer Color-Skopar 50mm f2.8 is normally found in a Bessamatic, also a compact design like the Xenar above but heavier. It's almost at par with the Xenon in terms of sharpness, color saturation, resolution and contrast. However, vignetting becomes apparent at wider apertures compared to the Xenar and Xenon.

Fujica ST801 + DKL>M42 lens adapter + Voigtlander Color Skopar 50mm f2.8
Ultrafine Extreme 100 in Rodinal 1+50


DKL Adapters


Voigtlander Color Skopar 50mm f2.8 DKL Lens + DKL>M42 lens adapter + M42>NEX lens adapter

The monochrome film pics above were  taken by the DKL lenses mounted on my Fujica ST801 M42 camera body via this DKL>M42 lens adapter. This adapter can also be mounted to an M42 adapter for your favorite mirrorles interchangeable lens digital camera body.   

Schneider Kreuznach Retina-Xenon 50mm f1.9 lens + M42>NEX lens adapter

NOTE: DKL lenses with built-in aperture rings aren't compatible with either of these lens adapters. Scroll down this link for more info.


Exa Camera + Exakta Mount Lenses


The Exakta VX camera was immortalized by James Stewart's character in Alfred Hitchcock's Rear Window. I don't know if Hollywood contributed to the asking price for these cameras, but we'll focus on its cheaper siblings instead.

Ihagee Exa + Isco-Göttingen Westar 50mm f2.8
(click for sample pics)

Based on the serial number my Ihagee ExaIsco-Göttingen Westar 50mm f2.8 was produced between 1956-1959. It's a very basic design with 4 shutter speeds -1/25, 1/50, 1/100, 1/150 + B and the mirror was integrated with the shutter mechanism. It came with a waist level viewfinder, which can be replaced with various focusing prisms including an eye level viewfinder that's interchangeable with the higher end Exakta. The Westar lens is a basic single coated triplet. I got it from my friend Mike, who's also an audio hobbyist.

I've only shot two short rolls with this camera. I'm having issues getting used to the waist level viewfinder, which might be psychological since I don't have trouble using medium format twin lens reflex cameras. 

Isco-Gottingen Westar 50mm f2.8 + Exakta>NEX lens adapter

Ihagee Exa II + Meyer Görlitz Domiplan 50mm f2.8
(click for sample pics)

I've been hunting for a Meyer Görlitz Domiplan 50mm f2.8 in M42 for many years but couldn't justify the asking prices for a single coated three element lens. So I ditched the M42 idea and got an Exa II camera with a Domiplan lens cap instead. The Exa II was upgraded with a focal plane shutter with speeds from 1/2 - 1/250 in geometric progression + B and was fitted with a fixed eye level viewfinder. This camera was manufactured between 1960-1963, which makes it just a tad older than I am. 

As long as the Exa and Exa II are loaded with ISO 100 film, the limited shutter speeds is a no brainer. It's just like shooting my Leica II and its Fed and Zorki cousins. Just as I expected, the Domiplan and Westar triplets can be very sharp in the center. From there, it builds up lots of character towards the edges, especially at wider apertures. 


Vintage glass + digital camera bodies take the edge out of pixels just like triodes and transformers make music more harmonious.

Good light and happy shooting!




Friday, October 2, 2020

Fuji X-E3 vs. Sony A7II + manual focus lenses


taken by an Olympus E-P1 + Voigtlander Nokton 50mm f1.5 LTM 

I've said this before but would like to reiterate that for my intents and purposes, digital photography is mainly about instant gratification. I haven't ventured much into handling RAW files and mostly shoot JPEGs using old lenses via adapters. I'd much rather spend time developing and scanning film rather than manipulating images in front of a monitor. Whether handling film or pixels, I also prefer minimum post processing. 

Olympus E-P1 + Voigtlander Color Skopar 21mm f 4 LTM

Except for a couple of digital point and shoot devices, my digital camera history only encompasses mirrorless interchangeable lens bodies 
starting with an Olympus E-P1 that I acquired in late 2009. This camera documented my trips to Shanghai and Bangkok.

The Olympus (RIP) E-P1 was succeeded by a Fuji X-E1 in late 2013, which was a much better camera technically and ergonomically. I would've soldiered on with the X-E1 if it didn't die unexpectedly in NYC in the summer of 2019. I still miss this camera since it recorded wonderful memories of our visits to Guam, Hong Kong/Macau and Tokyo!

I acquired the Sony A7II mainly to experience a full-frame sensor. I'm aware that anything wider than a 35mm focal length lens will have color fringing issues.


 But it's what I could afford for testing my collection of classic glassFor a mirrorless interchangeable lens body, this is bulky and heavy. 

Even if I got used to the controls, ergonomically, it still feels like I'm handling a device rather than a camera.

Sony A7IICanon 50mm f1.8 LTM

In spite of the lukewarm feedback on the quality of its Out Of Camera (OOC) JPEGs, after a bit of post processing effort, I don't find the A7II images inferior to those from my dearly departed Fuji X-E1


I actually welcome the greater depth-of-field and superior dynamic range from the full-frame sensor.

Because of the form factor and heft, I've used this camera mostly for taking glamour shots of gear I post on this blog attached to the fine optics of the Industar 61L/Z macro lens. But I should really take this camera out for photo adventures.

Fuji X-E3 + Industar 69

Tish probably noticed my love/hate relationship with the Sony device. Before 2019 ended, she surprised me with a Fuji X-E3. The X-E3 is even slightly smaller and leaner than my beloved X-E1. Except for the touch screen, which manages to occasionally screw up my default settings, its rangefinder-like handling instantly felt familiar.

Fuji X-E3 + Meike 28mm f2.8, Provia film simulation

Fuji X-E3 + Meike 28mm f2.8
Velvia film simulation

The film simulations render beautiful OOC images, Acros and Velvia being my two favorites.

Fuji X-E3Industar 69, Acros film simulation

Even if I spend a tad less time post processing files from its cropped APS-C sensor, it still can't surpass the Sony full-frame sensor's depth, detail and dynamic range. 

Fuji X-E3 + 7Artisans 25mm f1.8, Velvia film simulation

However, I can easily slip this camera in my Domke F-5XB along with a Leica or similar RF for a photo expedition. 

Fuji X-E3Meike 28mm f2.8 pancake

After all is said and done, I'm still waiting for a full-frame Leica M digital body with a Fuji or Sony price tag. 😆




Friday, February 14, 2020

Fotofox Contax (Kiev) RF to Leica Thread Mount Adapter


While shopping for a Contax RF inner-bayonet type > Sony E/NEX-mount adapter, I came across this Fotofox adapter which claimed RF coupling on Leica Thread Mount (LTM) compatible camera bodies. 

The Good

Canon P + Fotofox CRF + Zeiss Opton Sonnar

At about $60 landed in the USA, the Fotofox is a lot more affordable compared to the more deluxe Amedeo or Kipon equivalents. I'm glad to report that my gamble paid off. My Contax/Kiev RF mount 50mm lenses - Zeiss-Opton SonnarJupiter 8M & Helios 103 - mounted successfully on my Bessa R, Canon P and 7s bodies.

Bessa R + Fotofox CRF  adapter + Jupiter 8M

LTM>M + Fotofox CRF adapter + Helios 103

 By adding an LTM to M adapter, the Fotofox adapter functioned just as well on my Leica M6 below.

Leica M6 + LTM>M + Fotofox CRF adapter + Helios 103


Using the appropriate adapter, the Fotofox also mounted the aforementioned Contax and Kiev 50mm RF lenses to my Fuji X-E3 and Sony A7II.👍

The Bad

Left: Jupiter 12 + Right: Zeiss Sonnar 135mm f4

Sadly, my efforts to make it work with my Kiev RF mount Jupiter 12 and Contax RF mount Zeiss Sonnar 135mm f4, were all in vain. 😔

The Ugly


Zone focusing is out of the question since there's no distance scale and no infinity lock/stop either. 😏


Sample Pics


Canon P + Zeiss Opton Sonnar 50mm f2
Ilford FP4+ in Rodinal 

Canon P + Zeiss Opton Sonnar 50mm f2
Ilford FP4+ in Rodinal 

Canon P + Zeiss Opton Sonnar 50mm f2
Ilford FP4+ in Rodinal 

Bessa R + Helios 103
Ultrafine eXtreme 100 in Rodinal + HC110

Bessa R + Helios 103
Ultrafine eXtreme 100 in Rodinal + HC110

Leica M6 + Jupiter 8M
Fuji Neopan 400 in Kodak HC110

Canon 7s + Helios 103
Ultrafine eXtreme 100 in 
Rodinal + HC110

Canon 7s + Helios 103
Ultrafine eXtreme 100 in 
Rodinal + HC110

Click here for more samples. 

 Is it worth 60 something bucks? Let your eyes decide.😊