AliExpress Amorphous SE OPTs + Jean Hiraga and the SE-DHT Amp Revival

SETUP 2024

Single Ended Triode Users of the Philippines 2024

At the dawn of the 21st century, I uploaded hifi systems owned by audio buddies who had been inspired by the Sound Practices ethos. These were the guys who originally coined SETUP. After a couple of decades, the number of Filipinos who indulge in this hobby has increased exponentially.

Here's what I saw and heard during my recent visit.😊

Harana Audio Workshop

Altec 311-60 horns + 288 drivers with Fostex super tweets on top of a pair of Harana V-Vent bass bins with partial horn loading

JE Labs Choke-Capacitance Coupled SE2A3 amp

Canon P + Canon 50mm f1.8 LTM 
Foma 100 in Rodinal

Inspired by my plate choke-loaded 76 line stage preamp adventures, I was curious how a similar driver circuit configuration would sound in an SE2A3 amp. So I pulled out my Radiotron Designer's Handbook, 3rd Edition to gain a better understanding of choke-capacitance coupling (aka plate choke loading) vis-à-vis resistance coupling.

Below are highlights of relevant information I gathered.

Finemet FM-MCT1 MC Step Up Transformers

Looking back to my late 90s home brewer article for Sound Practices issue 17, I noticed that a good number of components in my hifi system then are still serving two and a half decades later. The Tamura TKS83 moving coil step up transformer is one of them.

After building a hifi system for my cousin during lockdown, the Hashimoto HM7s made me realize that while the Tamura TKS83s can equal the HM7s in terms of bandwidth, the TKS83s can sound mechanical. It also became apparent that there are areas in which the classic Altec 4722s and 15095As can be improved upon.

When I finally heard a pair of Peerless 4629s, I was very impressed by their uncanny ability to reproduce very lifelike 3-dimensional vocals. However, I was quite disappointed when I played anything greater than a string or jazz quartet because the sound started getting mushy and dynamically compressed. 

Overall, my ears still prefer the smaller and more affordable brother, the Altec 4722!

During the most recent Kutztown radio meet, John Piro handed me this finely crafted wooden box to audition. As mentioned in my Kutztown coverage, a good friend from Manila, Tony, aka Mr. November HiFi Show, scheduled his visit so we can hunt for tubes, parts + LPs. 

Upon our return from the expedition, a sumptuous dinner prepared by Tish + a bottle of Ripasso awaited us. We capped the evening by hooking this wooden box to my hifi. Our jaws dropped each time we played an LP!

Housed inside the box is a pair of Finemet FM-MCT1s! 

In the ensuing days, I did further evaluation and indeed, these Finemet MC transformers are doing something extra special. My only reservation was, in spite of the potted construction, the FM-MCT1s are more susceptible to hum induction compared to the Altecs and Tamuras. Even if John lined the wooden box heavily with copper shielding, I still had to keep them away from power transformers, AC motors, etc.

Inspired by the sonic niceties I heard, I was undeterred so I contacted Mr. Kimura of General Transformer Sales Co. Ltd. After a few emails aided by Google translate, I finalized my order. 

Gtrans.co.jp is headquartered in the same location as the former Noguchi store we visited in 2015, which is in the basement of Tokyo Radio Department Store in Akihabara.

Kimura-san specified a 3-4 week window for delivery. So I downloaded the spec sheet, studied the schematic and ordered a cast aluminum project box from Amazon.

Within 18 days, the transformers were at my doorstep.👏

Finemet FM-MCT1

These are very well made and quite hefty! They're heavier than the TKS83s which, if memory serves me right, are about the same weight as the HM7s.

 

I chose a different layout for the 145mm x 121mm x 40 mm MC step up transformer chassis for neater routing of RCA cables.

Under the hood

 

The input and output RCA jacks are on the backside mounted on top of the chassis. Only the ground lug was mounted on the side.

I installed the 3-position gain/impedance load selector in front of the chassis.

No matter which cartridge I used - Denon DL103, -R, -C1, Fidelity Research FR1 MkII, Ortofon SPU #1s, -G, -GM, Supex SD900, etc. - male and female vocals + instruments are portrayed with 3-D presence and realism in a deep and wide sound space. The musicians are in my man cave!

Boosted by the Finemets, even the most analytical and dry-sounding MC cartridges in my stash, like the Goldbug Clement II and Sony XL44 came to life with more warmth. If that's a coloration, it's certainly most welcome!

  

These Finemet MC transformers seem like they were configured to resolve every note in the complex musical score and massive instrumentation of late romantic symphonies along with the wide range dynamics from pianississimo to quadruple fortes inscribed therein by the composer. They also excel in reproducing the ambience, airiness and spaciousness of the concert hall's acoustics embedded in well recorded LPs.

I finally found a pair of MC transformers which combine the organic midrange and harmonious richness of classic vintage iron + the wide bandwidth, detail retrieval, and dynamic range of modern magnetics!

Ever since I became an audio DIYer, I pride myself in not being impulsive about upgrading components in my hifi. This is a rare exception!😉

CODA

As luck would have it, last week we had a family get together because a cousin based in Tokyo was visiting and brought some goodies!

Stereo Sound
Tube Kingdom Volume 104

If I got it right, in this survey of commercially available MC step up transformers, the Finemet FM-MCT1 was the only DIY unit.

Despite the wacky nature of the Google translate app, the gist comes across as quite positive!

Enjoy browsing the magazine to Bobbi Humphrey's tune spinning on a Garrard 401 + AB309 tonearm with a Supex SD900 boosted by the Finemet FM-MCT1s!✌

Click here for the shielded version update!

MC step up transformer redux + Hashimoto HM-7

When I ordered this pair of MC step up transformers from Mr. Isao Asakura of tube-amps.net (highly recommended👏) for my cousin's system, he suggested the use of high-quality 24-gauge stranded copper wire. I also took note of his MC step up page, in which he discussed his chassis mounting experiments.

Taking the cue from my buddy Nate aka Redboy at HifiHaven.com, who’s a prolific audio DIYer and MC step up builder, I ordered a cast aluminum project box + 24-gauge stranded tinned copper wire from Amazon.

Hashimoto HM-7 - specs

Upon inserting the freshly mounted and wired HM-7 into my hifi set up, my Tamura TKS83 and Altec 4722 sounded comparatively hard and mechanical...🤔

I had to retrace my steps.

Tamura TKS83

Those who are familiar with my Homebrewer article in Sound Practices #17 will remember that the TKS83 was mounted on an aluminum plate + wooden base while the Altec 4722 + others were on plastic project boxes. These were also wired using 99.999% 19-gauge solid-core silver wire + Teflon sleeving, Kimber TCSS or a combination of both. 

In hindsight, whether commercial or DIY, all the Japanese MC step up transformers I've seen in the metal or in MJ Radio Experiment and Stereo Sound Tube Kingdom magazines, were always housed in all metal enclosures or chassis.

Altec/Peerless 15095A + 4722

Before doing further listening comparisons, I remounted all my MC step up transformers on cast aluminum chassis and used 24-gauge tinned stranded copper for wiring. Since we're dealing with very delicate signals at tenths of a millivolt, very fine strands of high purity copper wire + maximum shielding make a lot of sense!

Hashimoto HM-7

After the playing field had been leveled, the Hashimoto HM-7 no longer outclassed my beloved MC step up devices. However, I'm pleased to say that the HM-7 sound falls somewhere in between the detailed and dynamic TKS83 and the organically rich and spacious airiness of the classic 4722!

Alas, these cast aluminum boxes weren't available when I started experimenting with microphone transformers as MC step up devices in the late 90s. Otherwise, I would've used them since I love the industrial vibe of unfinished aluminum!

Noguchi Finemet: FM-3WS-H + FM-6WS output transformers

This was the last extensive testing and listening session I did in the attic before we moved back to the states. I misplaced some data and just recovered them recently. So as promised in a previous blog entry, here's the write-up on the two entry-level SE Finemet OPTs from Noguchi.

WARNING

These are bonsai-sized output transformers. If HUGE iron + HIGH inductance and thumping bass frequencies is your idea of high-fidelity you should STOP 🛑 here!😉

However, if the finesse and realism a WE/Altec 755A can provide within its 70-13 kHz bandwidth is your idea of a GREAT time, please proceed!😊  

Noguchi FM-3WS-H

Noguchi FM-3WS-H + Tamura F7004

David vs. Goliath - indeed, the FM-3WS-H is tiny. I had to mount it on a perf board so that it wouldn't fall from the square mounting hole left by the Tamura F7004 ;)

JPY 13,910 or US $124

Noguchi FM-3WS-H
100Hz (top left), 1kHz (top right)
 and 10kHz (bottom right)

Technical and listening tests were done with the output transformer mounted in the SE10/VT25 amp, which resides in the attic mono system.

Noguchi FM-6WS

Noguchi FM-6WS + Tango U808

The FM-6WS is not that much bigger either.

JPY 16,000 or US $142

Noguchi FM-6WS
100Hz (top left), 1kHz (top right)
and 10kHz (bottom right)

Technical and listening tests were done with the output transformer mounted in the Radiotron SE2A3 stereo amp in place of a pair of Tango U808 OPTs.

Color Chart in Kanji
for wiring
transformer leads

Subjective evaluation of both OPTs

I have to admit that given the Lilliputian dimensions of these OPTs, I was predisposed to expect poor bass performance in spite of the claims from their respective spec sheets. The 100Hz square waves verified the manufacturers' claims and the quality of bass I hear more than compensates for the lack of ultimate extension which, in my experience, can only be had from OPTs the size of a Tango XE60/NY15s or Tamura F2000/F7000 series. In fact, when I invited my seasoned DIY Audio buddies for a listening session, none of them noticed significant bass deficiency.

Back in the 90s, there were two types of exotic transformer core material vying for the best - Permalloy and Amorphous. I learned then that the virtue of exotic core material shone through the mid-range, rather than at the frequency extremes. I never quite made the leap to Amorphous because I was already satisfied with the life-like mid-range abilities of Permalloy. I heard the Amorphous Tamura F5002 in a familiar circuit and system context, and thought that in spite of its edge in resolving detail, it sounded clinical compared to Permalloy. Finemet is supposed to have evolved from Amorphous. However, the mid-range performance from these two entry-level Noguchi Finemet OPTs have the warmth and lucidity of Permalloy without the antiseptic quality of Amorphous.

With such fine midrange performance I didn't expect any high frequency aberrations and the two 10kHz square wave oscillograms above confirm the smooth falling response beyond 20kHz (no ringing or phase shift), as shown in their respective spec sheets.

If I didn't already have Tamura and Tango Permalloy OPTs the bigger Finemet offerings from Noguchi are very tempting! 

!!UPDATE!!

The entire line of Noguchi is now represented by General Transformer in the same location at Tokyo Radio Department Store in Akihabra and they accept international orders.