 |
| Altec 15356 + UTC A20 |
While browsing at Books Kinokuniya in NYC in the 90's, this Noguchi ad from the November 1994 MJ Audio Technology issue inspired me to experiment with line transformers as digital sound enhancers. Since I was living on a post-grad assistantship budget back then, importing this pair from Japan was out of the question.
In late September, I received a message from Trieu of Lycan R&R, asking if I'd be interested in evaluating his 3D-printed prototype pair of multi-cell horns.
Before proceeding further, this blog entry contains a lot of hyperlinked texts to either previous entries or other sites pertinent to the article (e.g. "Lycan R&R" above). Mousing over and clicking those texts will open the link on another page. Thanks!
Design notes from Trieu: "These horns are slightly wider. The original KS12024 has a rather narrow 50° horizontal dispersion. When updated to the 1" driver opening, the wider initial diameter of the of the 1" driver would not allow for the throat geometries to work correctly. I felt the slim vertical profile of the original KS12024 is important sonically.
The best way to maintain it is to increase the horizontal width via a wider angle. So I increased the horizontal dispersion to 62.5° allowing for the proper expansion and geometries of the throat piece. BTW, I used carbon fiber infused PLA filaments."
I never imagined 30 years after the late Don Garber closed his Fi audio gallery at 30 Watts Street, that there would be a similar gallery in SoHo NYC again.
 |
| Canon P + Canon 50mm f1.8 LTM Foma 100 in Rodinal |
Inspired by my plate choke-loaded 76 line stage preamp adventures, I was curious how a similar driver circuit configuration would sound in an SE2A3 amp. So I pulled out my Radiotron Designer's Handbook, 3rd Edition to gain a better understanding of choke-capacitance coupling (aka plate choke loading) vis-à-vis resistance coupling.
Below are highlights of relevant information I gathered.
Inasmuch as I love music and retrotech high fidelity music reproduction, I think it's healthy to take periodic breaks from hifi. Frequent visitors know that I also enjoy photography, especially using black and white film loaded in old school manual focus cameras.
So today's blog is about the Shoten R50 lens adapter that's designed to take a 50mm (Note: a 35mm, 45mm, 55mm or 58mm, etc. won't focus accurately) Pentax K bayonet mount lens and fully couple to the rangefinder focus cam of a Leica M body from 0.7 meters to infinity.
I bought this Lafayette PK300 idler-driven turntable because it looked like an improved Shield MO-19 (aka NEAT P58H) with the added feature of an eddy current pitch control as found in the Garrard 301/401 and Thorens TD124.
 |
| Shield MO-19 vs. Lafayette PK300 |
Comparing them side by side, the PK300 turned out to be proportionately smaller in all dimensions and lighter in weight. Hmmm🤔…let's travel back to the late 50s.
